CV & References
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Victoria is talented, hard-working and passionate about her craft. More than that (and in many ways more than the majority of her peers) she is just magic on stage, she transforms, captivates and holds her audience, she has an innate ability to tune into a role and then works exceptionally hard to create and capture the world of the play.
Her professionalism and work ethic in one so young is a testament to her training and her commitment to the craft.
Ultimately she is the kind of actress that once you have worked with her once you seek time and again projects that she could be involved with.
A compelling revival that boasts some fine performances…searing tenderness from Victoria Bavister
Such claustrophobia was enhanced in Sue Colverd’s fascinating production… with Bavister being particularly impressive
The production holds an excellent cast with Victoria Bavister as the young girl Morse
What a joy it is to see my work produced to such high standards: impeccably acted, and directed with such vitality as to knock your socks off!
Bavister gives her a protective sharpness that melts into emotional warmth, something which also reveals the desolation that’s focused in her father’s ‘phone-call’
fantastic performances from young actors who demonstrate the wealth of talent available to British theatre
Victoria Bavister, who is excellent as Harriet … She creates a vibrantly alive character from a role which in other hands could be nothing more than the stock ‘mysteriously-hostile-yet-oddly-talkative-girl’ which has a tendency to recur in contemporary new writing.
Beautifully directed by Lisa Spirling and boasting a trio of faultless performances from Joseph Arkley, Owen Whitelaw and Victoria Bavister
Victoria Bavister as Cate…almost perfectly captured the childlike innocence of Cate’s soul, juxtaposed with the turbulent life she leads, has led and will lead. Her one sortie into nudity was handled with what I can only describe as fearful delicacy.